The Stitch workflow
A trip is more than a highlight pile.
Bring places, people and small details into one point of view. The aim is a video you finish and want to revisit, not proof that you recorded everything.
Choose a small story
A single day, one destination or the journey to a viewpoint gives an edit a useful boundary. Start with that boundary before choosing music. It helps you decide what the opening must explain and what the ending should resolve.
There is no requirement to include each location for the same number of seconds. Give time to the moments that support your idea; save the rest for another sequence or the private archive.
Let camera types do different jobs
A drone can show the relationship between a place and its surroundings. A phone can show an interaction or a detail at eye level. Neither is automatically the hero of the edit.
Use the change in scale deliberately. For example, a wide arrival, a close detail and an ordinary human moment can communicate more than three similar aerial views. That sequence is an example to test, not a mandatory template.
Use a first cut to make decisions
An initial assembly helps reveal what is missing, what repeats and which moments need more time. Review it once for story and once for technical issues rather than trying to judge everything at the same time.
Stitch’s approach is to leave the user in control of the selected shots. Automatic assembly does not know the full personal meaning of a trip, and the useful result is the film you approve.
Plan a finish you can complete
Choose a realistic short duration and a supported output shape. Leave time to check the export, music rights and any people or places whose appearance needs consideration.
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